Diálogos
- Mariona (Mi son que trajo la mar)
- Colombiana (Mi son que trajo la mar)
- Siempre contigo (Mi son que trajo la mar)
- Zamba (Mi son que trajo la mar)
- Preludio a la Bambera
- Bambera Moribunda poem by Santa Teresa
- La mañana de San Juan Cante by Alonso
- Aires de peteneras
- A la una yo nací
- Si dolce è’l tormento Claudio Monteverdi (1567-1643)
- Nana sobre “El cant dels ocells” Lyrics by Manuel García
- Angelitos negros
Fahmi Alqhai – Viola da Gamba & Musical direction
Rocío Marquéz – Flamenco singer
Rami Alqhai – Viola da Gamba
Agustín Diassera – Percussion
Deeply rooted styles of music, such as flamenco, continually grow new branches from the trunk of its traditions; a constant interaction between the new and the old.
Fahmi Alqhai and Rocío Márquez, each from their own angle of this eternal trunk, interweave their musical sheets, searching for the intersection between the cantes (songs) alive today and their origins, some of which reached us through oral tradition and others that have been written in ancestral manuscripts: cantes flamencos that went from Andalusia to American folklore travelling back again Andalusia, but also the chaconne and canarios that crossed the Atlantic to become part of the first Spanish guitar books of the 17th century; songs in ostinato songs of the great Monteverdi with ancestral siguiriyas, sharing their old chord progression always identical to itself—coming from that same Italy of the Seicento; cantes de Alosno with cants del ocells…